Original Scheme of the Sistine Ceiling \ Esquema original do Teto daCapela Sistina

Original Scheme of the Sistine Ceiling \ Esquema original do Teto da Capela Sistina, originally uploaded by MichelAngelo▲.

(English)
– It's Tifereth!!!
How about being one of the first people on earth to know what's truly represented on the so famous central scene of the Sistine Chapel Ceiling? The scene where God extends His arm to reach Adam's hand it is NOT the biblical "Creation Of Adam". This painting is a representation of Tifereth, the central Sephirah from the Kabbalah's Tree of Life with all elements to link it to the others Sephirot. There are many secrets among each painting of Sistine Ceiling but the main idea is now public: the Sistine Chapel Ceiling was created to be my personal kabbalistic Tree Of Life!
I'm revealing the original scheme of the Sistine Chapel Ceiling to celebrate the 4th year from the release of my doc film Icarus, Contemplation & Dream. Part of this explanation about the Sistine Ceiling is already written on my book from 2011, but the book is in portuguese and it's a very limited edition.
The opening of this secret is a special gift for those who are believing on me and has the heart to feel what's happening to me.
A tip for my internet followers (anonymous included): next time when you be with your family and friends, tell them about this simple curiosity revealing a bit from the art of the past:
– Do you know that the famous Michelangelo's Creation Of Adam is not a biblical representation of Creation Of Adam? It's a representation of Tifereth, the central Sephirah from the Kabbalah's Tree of Life.
It dosen't matter if no one knows what is the Kabbalah's Tree of Life. Time will bring this knowledge to them. If someone ask you about how could you have such understanding of the Sistine Ceiling, be proud about our web friendship and tell them:
– Michelangelo has just revealed the original scheme of the Sistine Chapel Ceiling on the internet!
One day this moment will be written on History books. Don't miss the chance to take part on it.

The meaning of the Sephiroth is completed through the visual details that link each Sephirah to another. The scenes belong to more than one Sephirah.

Kether :
-Jonah
Da'ath (the invisible sephirah):
- Separation of Land from Water
- Creation of Sun, Moon, Plants (an idealized selfportrait)
- Separation of Light from Darkness
Chochma:
- The Death of Haman (in fact: The Sacrifice of God the Son)
- Jeremiah (a selfportrait)
Binah:
- Moses and the Serpent of Brass (in fact: the two originals versions of the Hymn of the Pearl)
- Libyan Sibyl
Chesed:
- Persian Sibyl
- Ezechiel
Gevurah:
- Daniel
- Cumean Sibyl
Tifereth:
- Creation of Adam
- Creation of Eve
- Temptation and Expulsion
Netzach:
- Joel
- Erythraea
Hod:
- Isaiah
- Delphica
Yesod:
- Sacrifice of Noah
- The Flood
- Drunkenness of Noah
Malkuth:
- Zechariah
- David and Goliath
- Judith and Holofernes

Links:
en.wikipedia.org/wiki/Sephirot
en.wikipedia.org/wiki/Gallery_of_Sistine_Chapel_ceiling

(Português)
– É Tifereth!!!
Que tal ser uma das primeiras pessoas do mundo a saber exatamente o que está representado na famosa cena central do Teto da Capela Sistina?
A cena onde Deus estende o braço para alcançar a mão de Adão NÃO é a "Criação de Adão" bíblica. Esta pintura é uma representação de Tifereth, a Sefira (emanação divina) central da Árvore da Vida da Cabala com todos os elementos para fazer a ligação desta com outras Sefirot (plural de Sefira). Existem muitos segredos entre aquelas pinturas do Teto da Sistina, mas agora a ideia fundamental é pública: os afrescos do Teto da Capela Sistina foram criados para compor a minha versão da Árvore da Vida da Cabala.
Estou revelando o esquema original do Teto da Capela Sistina para celebrar o 4º aniversário de lançamento do meu filme documentário "Ícaro, Contemplação & Sonho".
A abertura deste segredo é um presente especial para aqueles que estão acreditando em mim e são capazes de sentir o que está acontecendo comigo.
Uma dica para aqueles que estão me acompanhando pela internet: na próxima vez em que estiver com a família e os amigos, fale a eles sobre esta simples curiosidade que revela um pouco da arte do passado. Diga-lhes:
– Lembram a "Criação de Adão", aquela pintura do Michelangelo na Capela Sistina? Pois é… Aquela imagem não é uma representação bíblica da "Criação de Adão". É uma representação de Tifereth, a Sefira central da Árvore da Vida, na Cabala.
E não importa que ninguém saiba o que é a Árvore da Vida da Cabala. O tempo levará este conhecimento até eles. Mas se alguém te perguntar sobre como você possui tal informação sobre o Teto da Capela Sistina, tire onda e fale a eles sobre mim:
– O Michelangelo acabou de revelar o esquema original do Teto da Capela Sistina na internet!
Um dia este momento estará escrito em livros de História. Não perca a chance de fazer parte dele.



Kether :
-Jonas
Da'ath (a sefira invisível):
- Separação da Terra da Água
- Criação do Sol, Lua, Plantas (meu autorretrato idealizado)
- Separação da Luz e das Trevas
Chochma:
- A morte de Aman (na verdade: O sacrifício de Deus, o Filho)
- Jeremias (meu autorretrato)
Binah:
- Moisés e a Serpente de Bronze (na verdade: as duas versões originais do Hino da Pérola)
- Síbila Líbica
Chesed:
- Síbila Persica
- Ezequiel
Gevurah:
- Daniel
- Síbila Cumana
Tifereth:
- Criação de Adão
- Criação de Eva
- Tentação e Expulsão
Netzach:
- Joel
- Síbila Eritréia
Hod:
- Isaias
- Síbila Délfica (na verdade: Cassandra)
Yesod:
- Sacrifício de Noé
- O Dilúvio
- Bebedeira de Noé
Malkuth:
- Zacarias
- Davi e Golias
- Judite e Holofernes

Links:
en.wikipedia.org/wiki/Sephirot
en.wikipedia.org/wiki/Gallery_of_Sistine_Chapel_ceiling

Pela última vez: 25 de fevereiro / For the last time: 25th of february

Pela última vez: 25 de fevereiro / For the last time: 25th of february, originally uploaded by MichelAngelo▲.

Este desenho mostrando a planta baixa de uma construção antiga foi feito durante os dias em que revivi a sequência da morte de Vittoria Colonna, nos primeiros meses de 1986.
Pela minha experiência de verificar desenhos premonitórios, acredito que esta imagem mostra a combinação de dois lugares diferentes. Provavelmente, um é o local onde eu a vi morta numa cama. O outro local é um ambiente com um profundo significado emocional.
Caneta azul no meu caderno. 1986.

This sketch showing a floor plan from an ancient building was drew during the days when I relived the sequence of Vittoria Colonna's death in the early months of 1986.
Because of my experience on verifying my other premonitory drawings, I think that this image shows a combination of two different places. Probably, one is the place where I saw she lying dead on a bed. The other place is somewhere with a deep emotional meaning.
Blue pen on my notebook. 1986.

Pela última vez: 25 de fevereiro
"Deus ainda não terminou com você", me disse uma amiga que se interessou pela minha história, e eu concordei com ela. Eu havia acabado de ser "inspirado por Deus" a parar de falar da Vittoria Colonna e a apresentar a minha estranha vida como um diálogo direto com Ele. Hoje, eu não me escondo Dele, pois sei o que acontece. E assim será. Este é o último 25 de fevereiro como mistura de pesadelo e fúria. Esta é a última vez que lembro a morte de Vittoria Colonna.
Deus abençoe a todos.
For the last time: 25th of february
As I said to a friend, "I know that God did not finish with me yet. From now on, I will show my life as an accomplishment of His expression". When I said that to her, I have already been "inspired by God" to forget the supernatural that embraced my life since childhood and to show all the weirdness as a direct dialogue with God. So that's the way I will carry on my spiritual duty. This is the last 25th of february as a nightmare mixed with fury. This is last remembering of Vittoria Colonna's death. God bless you all.

Pela última vez: 25 de fevereiro / For the last time: 25th of february

Pela última vez: 25 de fevereiro / For the last time: 25th of february, originally uploaded by MichelAngelo▲.

Retrato/Portrait - Mistura/Mixture - Vittoria Colonna e/and Monica
Quando esboçava esta versão de uma possível imagem real da Vittoria Colonna, lembro-me de, no final, forçar o contorno do rosto e mudar as características da face para fazê-la parecerida com a Mônica, a garota que estava personificando a Vittoria em milhares de sonhos.
Giz Conté sanguine sobre papel. 1986.
When I sketched this version of a supposed actual image of Vittoria Colonna, at the end, I remember forcing the outline of the face and changing the features to make her look like Monica, the girl that was personifying Vittoria in countless dreams.
Sanguine Conté chalk on paper. 1986.

Pela última vez: 25 de fevereiro
"Deus ainda não terminou com você", me disse uma amiga que se interessou pela minha história, e eu concordei com ela. Eu havia acabado de ser "inspirado por Deus" a parar de falar da Vittoria Colonna e a apresentar a minha estranha vida como um diálogo direto com Ele. Hoje, eu não me escondo Dele, pois sei o que acontece. E assim será. Este é o último 25 de fevereiro como mistura de pesadelo e fúria. Esta é a última vez que lembro a morte de Vittoria Colonna.
Deus abençoe a todos.
For the last time: 25th of february
As I said to a friend, "I know that God did not finish with me yet. From now on, I will show my life as an accomplishment of His expression". When I said that to her, I have already been "inspired by God" to forget the supernatural that embraced my life since childhood and to show all the weirdness as a direct dialogue with God. So that's the way I will carry on my spiritual duty. This is the last 25th of february as a nightmare mixed with fury. This is last remembering of Vittoria Colonna's death. God bless you all.

Ressurreição - The Resurrection

Ressurreição - The Resurrection, originally uploaded by MichelAngelo▲.

aongarcia
The trumpet has trumped, and they rush to be the first at the gate. I like the crowded, muscular push of this.

MichelAngelo▲
This 1990 sketch is a development from a 1983 pen drawing. The other 3 are just thoughts about this one. Thanks, aongarcia.

Poema para o Apolo no diário de 1996

Fiz o que
me restou fazer
Fiz o que
pouco importa hoje
Era o meu último salto íntimo
no escuro
pelo puro prazer de expressar
o ser pelo imediato fazer
Nunca reneguei de fato
o sonho ou a loucura do querer
Mas era mesmo preciso
tanto sacrifício
tanto início
físico e psíquico
para só então
se chegar ao ululante
óbvio e gritante?
Mas o que importa hoje?
Talvez ter na memória toda a história
Talvez ter na memória tudo que se perdeu
Deus realmente não cria
É só parte da roda
determinante desta imortal agonia.

Comments on Facebook - 4

A Busca por Refúgio
Desenho inspirado na escultura "A Busca por Refúgio" de Jeffrey Rafuse Sculptor.
Drawing inspired by the sculpture "The Search for Refuge" by Jeffrey Rafuse Sculptor:
http://www.facebook.com/media/set/?set=a.246479505396873.83568.100001044762412&type=1&cmntid=248557551855735 — at Rio de Janeiro.

Jeffrey Rafuse Sculptor: Michel, it's truly an honor and an exciting experience that you found inspiration in my work. Thank you very much for referencing me and my work in this context. I am grateful for your frienship, and always excited to absorb and experience your work, and share what your doing with all my friends here on facebook. Thanks a million, your work is truly outstanding brother. :)) hugs

MichelAngelo BuonaRoti: Thank you very much for your words, Jeffrey! I had promissed to myself to not draw anything new until I have developed all my 1980's designs, but I really got touched by the drama in your work "The Search for Refuge". I'm working on a plan to invade the urban space with my images and I feel that the idea of the seeking for some refuge is part of everyone's life. I stopped working with sculptures for a while to speed up the huge stencils that I'm making. One of these will be "The Search for Refuge".
It's great to find people on the internet that not get annoyed by my story and personal presentation. Since 2008 my life became an ocean of misunderstandings but it has been exactly what I expected. People in general don't get spirituality but there will be no excuse for the rejection of myself without even knowing my story and my artistic goals. The classical-theological knowledge behind my images, the irrationality of my nudes that unveils how I create them can only be ignored by a political decision against me. I will always keep an eye on those political enemies. But I will never forget the ones who now have their hearts and minds opened to dialogue me and help me to spread my spiritual experience. I know that I'm in the beginning of my last steps on Earth and I'm doing everything that I can to repair the huge mistake that I made when I decided to keep hidden my spirituality. Thank you very much, Jeffrey! Big Hug!

Comments on Facebook - 3

MichelAngelo BuonaRoti on Jeffrey Rafuse's photo: Sky, clouds and the sun… all of them have a deep meaning to me. In 2008, during the production of my doc film, I was in a hurry to finish it, and in just one day I made all the external filming. I had never pointed my camera to the sky before that day. When I did so, the clouds were looking like wings. It was impossible to stop the tears from dropping. I was organizing the telling of my story, where I found myself as some kind of Icarus, whose melting wings was a stolen magic surfboard. This was one the photos:

Jeffrey Rafuse Sculptor: Wow, I have goose bumps here brother. There is some type of connection then, between us...who knows what, but the sky photos and your experience that I absorbed on your documentary of The Icarus Experience...is shifting in some way. I'm very spiritual myself...so I believe everything that happens to me, and the people around me, is working in a type of dance of life...energy that is flowing from one person to the next, and throughout the universe. I went down to that spot today, because I felt drawn to do that. I was there a week ago, and slipped in between to big rocks, and my whole leg went down, an my ankle was jammed...had to pull it free, and heal it. One of my best friends in life, mentor and former President of a medical communications firm, lives now in Brazil with his wife. He is a born and raised California surfer, and public relations, among many other things is his art...really, the list is too long to explain how amazing he is. Maybe there is a connection here for some reason, that can get your story more of a voice internationally.

Jeffrey Rafuse Sculptor: I need to ask you...why is the ankle of your sculpture broke, and your holding it up to the sculpture in the one photo. I have had 5 injuries on my right anlke over the past year...3 twisting it walking my dog Bubby, and one a 200 lb block of ice fell on it as i was unloading it at the winter carnaval, and last week the 5th was jammed between the rocks...

MichelAngelo BuonaRoti: Who knows, dude… who knows… I just can't miss a chance to explain myself no matter how many misunderstandings and disbelieves I will get in return. The important to me is to go public in the right way. There's no seeking for artistic sucess, nor fame and fortune, neither personal marketing for professional purposes behind my behavior. Only when everybody see what I'm going to expose as street art they will feel that I'm serious in my spiritual "war". I know that. But there's no anxiety in my daily routine. Since 2008 and to the very end, everybody will see me, telling my story, explaining myself, and expressing the art that was revealed among an uncanny movement of my hand. I just want to show that I'm not following any rational choice, just the beat of my heart.

MichelAngelo BuonaRoti: My sculpture didn't break, Jeffrey. In the begining of the film I wanted to suggest that there's something in my life that I'm not going to leave behind unexplained. The clay model was cutted in parts to the making of the plaster model. But if you are getting some new meaning in these scenes, I will enjoy to hear it from you.

Jeffrey Rafuse Sculptor: As I mentioned when you first introduced me to your story, im am very interested in this, and I believe in what your doing 100%. I believe that this should become international news...l will do all I can to help you brother.

Jeffrey Rafuse Sculptor: Well, the sky and clouds are one connection; and one of the old cloud pictures match a part of my clouds; my ankle has been injured many times and I have healed my self every time; and your a surfer and my friend is and he is a pro at getting a story told...and he is in Brazil... Your right, who knows what all this means at the present...but we mainly need to get your story out to the mass media...as soon as we can.

Jeffrey Rafuse Sculptor: https://www.facebook.com/m​edia/set/?set=a.2265681573​88008.79884.10000104476241​2&type=1#!/photo.php?fbid=​1811310174471&set=a.181130​9974466.2084194.1591500175​&type=1&theater

Jeffrey Rafuse Sculptor: That inclusion of your story on the post is the 23rd comment, and I was born November 23rd...and 23 is a very amazing number.

MichelAngelo BuonaRoti: Now I'm thinking… When I started shooting the opening sequence of Icarus, Contemplation & Dream, I didn't know exactly what to show. I wanted to reveal that my life had reached an exhaustion point. I made five different sequences to the edition work. It was insane to do it all alone. I knew that there was an unconsciousness process taking place when I noticed the synchronic relation of past and present. The number of elements linking to each other was imense. From time to time, I had to stop the work because of the emotion. The understanding of the past and the spiritual dimension that my life is imersed left me crying so many times that I thought that would impossible to finish the film. Today, it's a relief to know how to live my spiritual side: telling my story and expressing my art no matter how many difficult I'm facing. Thank you, Jeffrey, for the opportunity of explaining myself. One day, these two sulptures, The Deposition and he Apollo, shown in the opening sequence, will be casted in metal… And the meaning of everything will be different… Thanks, Jeffrey!